A digital looper through seeminglessly endless potential


ByThe rwandachamber.org team11 December 2007



E-H make some kick-ass pedals - many of which room analogue and also owe much to your powers that distortion. This one, however, is as clean together a whistle and also has a heap of digitalia within, all bent to the task of developing a dedicated looping machine.

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Not a hold-up machine that likewise loops, you"ll notice - simply a looper. A looper through so much memory (Flash card permitting) that you could record a totality song"s precious of multi-track on it in CD top quality stereo sound.In developing this beast, a far-reaching evolution native the recently re-released 16 Second delay (originally indigenous 1983), E-H have actually solved a the majority of the inherent niggles the looping delays constantly had, and likewise created a groovy sound mangler, indigenous which some an extremely strange and also wonderful sounds deserve to be extruded. Far better than jamming through the just other musician in the people that completely understands lock - namely: themselves. Or also better, a whole bunch the themselveses.

The 2880 is no designed to sit top top the beer sodden stage and also be operated by her foot. That is the brain, and is all about fingers and also sports eleven neat tiny buttons together with seven sliders and nine tiny pots. It looks funky, feeling solid and the layout seems self-explanatory, for this reason in the long-standing musician"s tradition of wasting time and also developing bad habits, we determined to neglect the manual and pile directly in too suss it out "intuitively".

In useWithin a pair of minute we had actually a rocking loop of around ten guitarists walking - part going backwards and some play at double speed! an excellent fun. A stompbox remote controller is also available, and also connects to the brain using a traditional 1/4" jack lead. Using the feet come start, stop and otherwise manage the 2880 makes for a far much more seamless investigation of it"s how amazing depths, and is likewise essential because that the totality "be your very own band" bit.

You rotate the "dry out" fader increase so you have the right to hear yourself, hit record and start playing. As soon as you get to the finish of what will be your loop you either hit record and the an equipment stops, or friend hit play, the machine returns come the beginning and also starts recording right away on monitor 2. After doing something else on track 2 you can stop, adjust the volumes of her two parts on tracks 1 and 2, then choose track 3 hit record and also so on until you have 4 parts. This parts can then be bounced under to the mixdown, make a stereo mix of all 4 tracks who level is managed by the mixdown fader. This is the an easy operation that the 2880 - however there"s a many more.

You can additionally overdub back onto monitor 1 if you like. What you formerly recorded will certainly not walk away - friend simply include another sound on optimal of it. If you leaving the loop walk you have the right to continue including sound on optimal of the as long as you like. The ahead sounds will certainly not degrade, you just pile lock up. This represents the maximum ability of part looper pedals, yet with the 2880 you can repeat this boundless stacking on every of its four channels. Think around that.

Once you"ve mixed down, you have the right to record a whole bunch of new stuff on tracks 1 to 4 that will play ago alongside her mixdown. You can then execute a brand-new mixdown of whatever you are hearing ago on to the mixdown track. This is countless overdubbing, world - v a an excellent deal of mix flexibility developed in.

Rather than list the added functions, let"s imagine a possible 2880 looper conference using just one guitar.We begin by record a good bassline top top the shortest string the a normal electric guitar play at twin the normal rate onto monitor 1 (listening to the onboard metronome for straightforward life).

We then hit document to protect against the 2880 and, since it is in quantize mode, that waits till the exact end of the nearest bar to stop, thus developing a perfect loop. We then re-arm monitor 1, start it recording and also play the very same thing again twice approximately the loop therefore we have actually a triple-tracked part. We hit the octave button and also the part halves in speed and also lowers an octave to become the fat bassline we originally intended. Then we overdub again onto track 1 v the bottom wire of the etc to add an octave-up variation of the bassline.

Then we relocate to monitor 2 and record part funky valuation chords. Regrettably there to be a fluff in an otherwise perfect take, and also because ours loop is nearly a minute long we don"t want to play it every again, so us hit the punch-in button, struggle play and also then fight record as soon as we have to drop in and fix the mistake. Hitting record again drops us out and the wrong is fixed.

Moving to track 3 and we pat a juicy melody, come which us then add three-part harmony at slightly lower volumes. It"s acquiring a little bit late now, therefore we"re working from the headphone socket.

For a bit of a special effect we push the reverse button, arm track 4 and also record two or 3 chords in addition to the backwards variation of our masterpiece. Then we hit the reverse button again and also listen earlier enjoying the sound the the occasional reverse chords throughout.

Then we bounce that all under to the mixdown track, freeing up tracks 1 to 4 for skanks, harmonics, palm-muted chugs and so on and so forth. Ultimately there"s nothing rather to record, so we plugin our USB cable and drag the new loop info from the 2880 come our desktop folder of loop projects, and also load up a session from last week and have a look in ~ that.

Then we head off to a gig through all that night"s loops save on their very own flash memory cards - few of which space actually full stereo CD top quality backing tracks. Well, it saves lugging a computer system around, i beg your pardon can"t it is in a bad thing, eh?

Of course the 2880 have the right to slot into lots of different places in her set-up. Also in a guitar set up it can be an impact loop ~ above the amp, definition that you can use different guitar sounds for each part you record.

And obviously the 2880 have the right to just sit end the mix bus the your workdesk or outputs of her DAW, so any type of sound you"re qualified of make is fair game for a bit of looping. A good place for it would certainly be right alongside a pair of decks - it"s best for knocking a rapid break together and also scratching up a storm.

Playing through the tempo regulate after the occasion is pretty fun too, the mix of that and also the reverse switch can create some nice wild slices of sound. The mixdown track deserve to be isolated native the tempo controller, so tracks 1 to 4 deserve to actually be played ago alongside the mixdown in ~ a different pitch and tempo, developing some quite wild and also crazy phasing and flanging effects along the way.

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All in all, the 2880 does all you"ve involved expect indigenous a looper except frustrate the hell out of you. E-H have actually solved the problems of click tracks, instantly making succinct loops, mixing components after they"re recorded, storage and recall, and they"ve even contained MIDI Clock send and receive (with song position pointers and also outgoing start and also stop regulates too), for this reason you deserve to incorporate the live looping thing into a backing track or click track scenario.

The controls space seamless, and also the smoothness of the sound just as satisfying. One thing though - if they might only de-couple the tempo indigenous the pitch... Well, that would certainly be perfect.